Elia Moretti (*19. 06. 1986, Milano) is a performer, composer, percussion player, researcher and curator. He's currently developing a research on contemporary and experimental forms of music theatre in Central Europe.
His research activities focus on contemporary music theatre through an ecological perception of sound. He is specifically interested in the way sound might contribute to alter the experience of the performance and he is concerned with the ways in which artistic practices participate in the context (social grounds) they emerge from or respond to. What are those sonic phenomena which are foundational of performative and theatrical practice?